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William Carlos Williams (September 17, 1883 - March 4, 1963), often abbreviated with the initials "WCW", was an American poet during the Modernist movement. He attended
public school in Rutherford, New Jersey until 1897,
then was sent to study at Château de Lancy near Geneva,
Switzerland and the Lycée Condorcet in Paris, France for two
years.
Although he did not subscribe to the Imagist manifesto (essentially the manifesto
written by Ezra Pound, H.D., and others
that drove the Modernist movement in poetry), his work is often considered to be the epitome of it (see especially The Red Wheelbarrow
and This Is Just To
Say).
Throughout his lifetime Williams worked as a physician in the town of Rutherford, New Jersey. He received his M.D. from The
University of Pennsylvania Medical School; where he also met and befriended fellow poet Ezra Pound.
Williams has often been praised for his observation of "the local" in his poetry and for his pared-down, precise, and sharp
style. Williams simplified the mystery of what makes good poetry when he said: "If it's not a pleasure, it's not a poem." Also,
he is known for remarking that a poem is like a small "machine of words".
His greatest masterpiece is considered to be the work Paterson, a poetic monument to (and personification of) the New
Jersey Town. One of the influential modern American poets, Williams received the Pulitzer Prize posthumously in 1963.
Works
Poetry
- Poems (1909)
- Spring and All
(1923)
- An Early
Martyr (1935)
- Broken Span (1941)
- The Wedge (1944)
- Clouds, Aigeltinger, Russia, &c. (1948)
- The Desert Music and Other Poems (1954)
- Pictures
from Brueghel (1962)
- Paterson (1963)
- Imaginations (1970)
- Collected Poems, Volume I: 1909-1939 (1986)
- The Collected Poems, Volume II, 1939-1962 (1988)
Prose
- Kora in Hell
(1920)
- The
Great American Novel (1923)
- In the
American Grain (1925)
- Novelette and Other Prose (1932)
- Autobiography (1951)
- Selected Essays (1954)
- Embodiment of Knowledge (1974)
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