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Despite their short existence, the Sex Pistols were perhaps the quintessential British punk rock band. Whilst The Clash were
both more articulate and politically motivated, and The Buzzcocks had
more astute pop sensibilities, no other group better exemplified the punk
movement's spirit and inherent contradictions.
History
The group was formed in 1975 by Paul
Cook and Steve Jones. They recruited Glen Matlock and Johnny Rotten who were among the
clientele of the 'SEX' boutique in Kings Road, Chelsea. This shop (previously known as Let It Rock) was owned by the situationist influenced Vivienne Westwood and Malcolm McLaren who
became the group's manager. The name no doubt was intended to bring to mind the male sex
organ, but McLaren has stated that he wanted the band to be "sexy assassins" (the band has frequently accused McLaren of both
cheating them and making revisionist history). The band was initially
influenced in part by the style of The New York Dolls and
Television, who were doyens of the New York City new wave
music scene, although McLaren claimed that he wanted them to be "the new Bay City Rollers".
Following a showcase gig as part of London's first punk festival at the 100 Club in Oxford Street, they were signed (for a large advance) to the major label EMI. The Pistols' first single, "Anarchy in the
UK", released in November 1976, served as a statement of intent, full of wit, anger and
visceral energy.
However, in December 1976 the group and their close circle of followers, the Bromley Contingent, created a storm of publicity in the UK when, goaded by interviewer Bill Grundy,
guitarist Steve Jones used the word "fuck" on Thames Television's early evening television programme Today, as
well as calling Grundy a "rotter" after he made a rather inept attempt at 'chatting up' Siouxsie of Siouxsie and the Banshees (MP3 clip ). Although the programme was only seen in
the London ITV region, the ensuing furore occupied
the tabloid newspapers for days and the band were shortly after dropped by the label.
After a short and disastrous period spent with the A&M record
label, The Pistols were picked up by the at that time independent Virgin
Records. A shambolic tour of the UK followed, with the majority of the concerts cancelled by local authorities and many of
the rest ending in states of semi-riot.
In February 1977 bass player Glen
Matlock departed from the band to be replaced by Rotten's friend and "ultimate Sex Pistols fan" Sid Vicious, whose real name was John Simon
Ritchie, famously chosen by McLaren for his looks and "punk attitude" rather than his somewhat limited musical abilities -
according to Jon Savage's biography
of the Sex Pistols, England's Dreaming - at live performances his amplifier was often turned down, and most of the bass
parts on the band's later recordings were actually played by guitarist Steve Jones or Matlock, who (according to Lydon's
autobiography Rotten: No Blacks, No Dogs, No Irish) had been drafted in as a session musician.
The group's second single, eventually released by Virgin in May 1977, was God Save the Queen, a swingeing attack on the British Royal Family, and by extension
the institutions of Britain, delivered in Rotten's trademark sneer. Coming at a time when deference to royalty was still a
predominant trait in both the establishment and the country as a whole the record was quickly banned from airplay by the staid
BBC, whose Radio 1 dominated music
broadcasting.
Nevertheless, in the week of Queen Elizabeth II's Silver
Jubilee, the record officially reached number two in some UK charts (although many people believe they actually reached
number one and the charts were rigged to prevent them topping it), although the title and artist were replaced with a blank space
in many publications. Meanwhile, The Sex Pistols decided to celebrate the Jubilee, along with the success of their record, in
their own way by chartering a boat, upon which they sailed down the Thames, past
Westminster and the Houses of Parliament, performing their live set. As usual, the event ended in chaos; the boat was
raided by the police, and Mclaren, The Pistols and most of their entourage were arrested and taken into custody. Arguably all
good fun and a great publicity stunt, but matters took a distinctly
uglier turn when young punk followers of the Sex Pistols became victims of physical attacks in the street by 'pro-royalists', and
Rotten himself was assaulted by a razor wielding gang of 'Teddy Boys' in Finsbury Park who, it seems, didn't see the funny side of the Pistols'
antics.
The promise of the band's early singles was eventually fulfilled by the group's first album Never Mind The
Bollocks Here's The Sex Pistols, released in October 1977. The album also included singles "Pretty Vacant", an ode to
apathy, and "Holidays In The Sun". Again the band faced controversy when a record shop in Manchester was threatened with
prosecution for displaying the album's 'obscene' cover, although the case was overturned when defending QC John Mortimer produced expert witnesses who were able to
demonstrate that the word "bollocks" was a legitimate old English term originally
used to refer to a priest, and that although the word is also slang for testicles, in this context it meant 'nonsense'.
The Sex Pistols' final UK performance was at Ivanhoes in Huddersfield on
Christmas Day 1977, a benefit for the families of striking firemen. Despite the band's state of disintegration by this time, the
gig was considered by some as a vindication of their anti-establishment stance when they were, for once, united with what might
be viewed as their true constituency, the dispossessed English working class. They played two shows, a matinee and an evening
show. Tickets for the latter were furtively sold for a secret venue, announced shortly before the gig as a tactic to avoid the
attentions of local councillors and the like, who had cancelled many of the Pistols' other shows. Those waiting outside for the
second show were given turkey sandwiches from the remains of the meal laid on for the strikers' families. The atmosphere in the
evening show was counter to the negative publicity that had been generated towards the band by the tabloid press; before the
show, Johnny Rotten mingled with the crowd wearing his pith helmet, and the good humour of the matinee (which was a benefit
played for free) lingered on. Years later the promoter of the evening show confessed that the Pistols never cashed his
cheque.
Early in 1978 an American tour was booked by McLaren. This was a sapping experience for
all concerned, and on the final date at the Winterland Ballroom in San
Francisco on January 14, the disillusioned Rotten quit, famously asking
"Ever get the feeling you've been cheated?" from the stage before walking off. The remainder of the group soldiered on for a
short time, trading on their reputation and gimmicks, such as recording with notorious British criminal Ronnie Biggs and Vicious releasing a version of "My Way", but after the release of
the movie The Great Rock And Roll
Swindle, they finally split.
Rotten, now using his given name Lydon, went on to form the group Public Image Ltd. Vicious was arrested for the murder of his girlfriend, Nancy Spungen in New York but
died of a heroin overdose before coming to trial. A fictionalised account of Vicious's
relationship with Spungen was later recounted in the 1986 film Sid and
Nancy (dir. Alex Cox), which toned down much of the band's outrageous
exploits. For instance, the movie's Sid Vicious wears a red shirt with a hammer and sickle, rather than the swastika worn by the
original Sid.
The group remain influential however, both for the musical style they were pivotal in helping to define, and in terms of their
influence on the British cultural landscape, helping to change the cultural climate. Whereas previous challenges to the class
system had come mainly from within, such as the public
school and Oxbridge dominated satire boom of the 1960s or the socially realist theatre of the 1950s, the Pistols communicated
directly with a much wider audience and, to some extent, the resulting shock waves can still be felt.
It can be argued that the Sex Pistols are the most influential band ever in punk rock. Their chord progressions and pounding,
primal bass lines can still be heard in the music of bands such as Rancid, The Libertines, Black Rebel Motorcycle Club and other revivalists. The surviving members of the Sex Pistols
have performed reunion gigs in 1996 and 2002, and
embarked on a US tour in 2003.
Members
Further Reading
- The Boy Looked At Johnny- Julie Burchill & Tony Parsons
- The Sex Pistols- Fred & Julie Vermorel
- Rotten- No Blacks, No Dogs, No Irish- John Lydon
- England's Dreaming- Jon
Savage
- I Was A Teenage Sex Pistol- Glen Matlock
- Please Kill Me- Legs
McNeal
- God Save The Sex Pistols - A Collector's Guide To the Priests Of Punk - Gavin Walsh
- Destroy - Sex Pistols 1977 - Dennis Morris
- I Swear I Was There - Sex Pistols And The Shape Of Rock - David Nolan
- Vicious - Too Fast To Live - Alan Parker
Films
- Sex Pistols Number One (Derek Jarman, 1976) (a short of
footage shot at early gigs)
- Jubilee (Derek Jarman, 1978)
- The Great Rock And Roll
Swindle (Julien Temple, 1978) (Malcolm's version of the Pistols
story)
- The Filth And The Fury (Julien Temple, 2000) (The Pistol's version of events...)
- DOA (Lech Kowalski, 1981) (includes footage shot during the Pistols' 1978 US tour)
- The Punk Rock Movie (Don Letts, 1979) (independent documentary
footage shot at the time)
- Sid and Nancy (dir. Alex Cox, 1986).
See also
External Links
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