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Rembrandt Harmenszoon van Rijn (July 15, 1606 - October 4, 1669) is
generally considered one of the greatest painters in European art history, and the most important Dutch painter of the 17th
century.
Self-portrait by Rembrandt (1661)
Rembrandt was also a proficient engraver and made many drawings. His contributions to art came in a period that historians call
the Dutch Golden Age (roughly equivalent to the 17th century), in
which Dutch culture, science, commerce, world power and political influence reached their pinnacles.
Works
In all, Rembrandt produced around 600 paintings, 300 etchings, and 2,000 drawings. He was a prolific painter of self-portraits, producing almost a hundred of them (including some 20 etchings) throughout his long career.
Together they give us a remarkably clear picture of the man, his looks, and - more importantly - his emotions, as misfortune and
sorrow etched wrinkles in his face.
Among the prominent characteristics of his work are his command of light and dark, often using stark contrasts, thus drawing
the viewer into the painting; his dramatic and lively scenes, devoid of any rigid formality that contemporary artists often
displayed; and his ostensibly deep-felt compassion for mankind, irrespective of wealth and age.
His immediate family - his first wife Saskia, his son Titus, and his second wife Hendrickje - often figured prominently in his
paintings, many of which had mythical, biblical, or historical themes.
Life
Rembrandt was born on July 15, 1606, in
Leiden, the Netherlands; he was one
of nine children. His father was a miller, his mother was a baker's daughter. He spent his youth and most of his early years as a
painter there. He attended Latin school and studied less than a year at the University of Leiden.
In 1621, he decided to dedicate himself fully to painting and took lessons from Leiden
artist Jacob van
Swanenburgh. After a brief but important apprenticeship in Amsterdam,
Rembrandt opened a studio in Leiden, which he shared with friend and colleague Jan Lievens. In 1627, Rembrandt began to accept students.
By 1631, Rembrandt had established such a sound reputation that he received several
assignments for portraits from Amsterdam. As a result, he moved to that city and into the house of his art dealer, Hendrick van
Uylenburgh. This move eventually led, in 1634, to the marriage of Rembrandt and
Hendrick's wealthy niece, Saskia van Uylenburg. A daughter
of a patrician, she introduced him to higher social circles, which increased his
fame.
In 1639, Rembrandt and Saskia moved to a prominent house in the Jodenbreestraat in the Jewish quarter, which later became the Rembrandt House
Museum. Three of their children died shortly after birth. Their fourth child, a son, Titus, was born in 1641 and survived into adulthood. Saskia died in 1642 soon after Titus'
birth, from tuberculosis.
In 1645, Hendrickje Stoffels, who had initially been Rembrandt's maidservant, moved in
with him. In 1654 they had a daughter, Cornelia, bringing them an official reproach from
the church for "living in sin".
Rembrandt lived beyond his means, buying many art pieces, costumes (often used in his paintings), and rarities, which caused
his bankruptcy in 1656. He had to sell
his house and move to a more modest accommodation on the Rozengracht. Here, Hendrickje and Titus started an art shop to make ends meet. Rembrandt's fame waned in
these years, only to be restored later.
Rembrandt outlived Hendrickje and Titus. In the end, only his daughter Cornelia was at his side. He died October 4, 1669, in Amsterdam in poverty and was
buried in an unknown grave in the Westerkerk.
Influences
Rembrandt's first teacher, Jacob van Swanenburgh, taught him much of the art of etching.
Rembrandt studied with Pieter
Lastman for half a year in Amsterdam. Lastman, a painter of biblical, mythological and historical scenes, is considered a
major influence. He gave Rembrandt a good sense of composition and made him perceptive of religion and history as sources of
inspiration for this work. Lastman had studied in Italy, in the early years of the
century, and naturally passed his Italian discoveries to Rembrandt. This is quite possibly where he learned the Italian technique
of adding bees-wax to his oil paint, which helped to give his paintings the well known relief and luminosity that they have.
Students
Many students of Rembrandt became famous in their own right. Among them were:
Rembrandt experts disagree about the authenticity of many paintings that were long attributed to him: Were they made by
Rembrandt himself, by one of his students, or both?
Periods, themes, and styles
- It was during Rembrandt's Leiden period (1625-1631) that Lastman's influence was most prominent. Paintings were rather small,
but rich in details (for example, in costumes and jewelry). Themes were mostly religious and allegoric.
- During his early years in Amsterdam (1632-1636), Rembrandt used large canvases and
strong tones and depicted dramatic scenes. Rembrandt painted many portraits in this period. Other paintings had biblical and
mythological scenes.
- In the late 1630s, Rembrandt painted many landscapes and produced etchings about nature. In this period, his landscapes were tormented by nature, showing
trees taken down by a storm or ominous skies with dark clouds.
- Starting in about 1640, his work became more sober, reflecting the family tragedies
that he had suffered. Exuberance was replaced by deeply felt inner emotions. Biblical scenes were now derived more often from the
New Testament instead of the Old Testament, as had been the case before. Paintings became smaller again. An exception is the huge painting
The Night Watch, his largest, which was as worldly and spirited as any previous painting. Landscapes were more often
etched than painted. The dark forces of nature made way for quiet Dutch rural scenes.
- In the 1650s, Rembrandt's style changed again. Paintings increased in size. Colours
became richer, brush strokes stronger. With these changes, Rembrandt distanced himself from earlier work and current fashion,
which increasingly inclined towards fine, detailed works. Over the years, biblical themes were still depicted often, but emphasis
shifted from dramatic group scenes to intimate portrait-like figures.
- In his last years, Rembrandt painted some of his finest self-portraits, showing a face on which grief and sorrow had left
their marks.
Museum collections
- In the Netherlands, the most notable collection of Rembrandt's work is at Amsterdam's Rijksmuseum, including De Nachtwacht (The Night Watch) and De Joodse bruid (The
Jewish Bride).
- Many of his self-portraits are held in The Hague's Mauritshuis. His home, preserved as the Rembrandt House Museum in Amsterdam,
houses many examples of his engravings.
Famous works
- 1632 Anatomy Lesson of Dr. Nicolaes Tulp (Mauritshuis, The
Hague)
- 1635 Belshazzar's Feast (National Gallery, London)
- 1636 The Blinding of Samson
- 1636 Danaë (State Hermitage Museum, St. Petersburg)
- 1642 The Militia Company of Captain Frans Banning Cocq better known as the
Night Watch (Rijksmuseum, Amsterdam)
- ±1643 Christ Healing the Sick also known as The Hundred Guilders
Print (Victoria and Albert Museum, London)
etching, nicknamed for the huge sum (at that time) paid for it
- 1653 Sacrifice of Isaac (State
Hermitage Museum, St. Petersburg)
- 1654 Bathsheba at Her Bath
(Louvre, Paris) (Hendrickje is thought to have modeled for this painting)
- 1661 Conspiracy of Julius Civilis (National Museum, Stockholm) (Julius Civilis led a Dutch revolt against the Romans) (most
of the cut up painting is lost, only the central part still exists)
- 1662 Syndics of the Drapers' Guild
(Dutch De Staalmeesters) (Rijksmuseum, Amsterdam)
- 1664 The Jewish Bride (Rijksmuseum, Amsterdam)
- 1669 Return of the Prodigal
Son (State Hermitage Museum, St. Petersburg)
- This is just a small selection. Many of Rembrandt's paintings are famous around the world.
The Night Watch
Main article: Night Watch
(painting)
'The Night Watch' or 'The Militia Company of Captain Frans Banning Cocq', 1642, Oil on Canvas, Rijksmuseum, Amsterdam
Rembrandt painted The Militia Company of Captain Frans Banning Cocq between 1640 and 1642. This picture was called
the Patrouille de Nuit by the French and the Night Watch by Sir Joshua Reynolds because, upon its discovery, the picture was so dimmed and defaced by time that it was
almost indistinguishable and it looked quite like a night scene. After it was cleaned, it was discovered to represent broad day -
a party of musketeers stepping from a gloomy courtyard into the blinding
sunlight.
The piece was commissioned for the new hall of the Kloveniersdoelen, the musketeer branch of the civic militia. Rembrandt departed from
convention, which ordered that such genre pieces should be stately and formal, rather a line-up than an action scene. Instead he
showed the militia readying themselves to embark on a mission (what kind of mission, an ordinary patrol or some special event, is
a matter of debate). His new approach caused a row, especially among the militia members who ended up at the back of the scene
and were hardly visible. Payment was delayed. Even parts of the canvas were cut off to make the painting fit on the designated
wall.
This painting now hangs in the largest hall of the Rijksmuseum in Amsterdam. It is a large painting that takes up the entire back wall - despite having had
bits cut off - and is arguably one of the most impressive paintings displayed there.
Expert assessments
In 1968, the Rembrandt Research Project (RRP) was started under the sponsorship of the Netherlands Organization for the
Advancement of Scientific Research (NWO). Art historians teamed up with experts from other fields to reassess the authenticity of
works attributed to Rembrandt, using all methods available, including state-of-the-art technical diagnostics, and to compile a
complete critical catalog of his paintings. As a result of their findings, many paintings that were previously attributed to
Rembrandt have been taken from the list. Many of those are now thought to be the work of his students. This included The
Polish Rider, one of the treasures of New York's Frick
Collection. Years ago, its authenticity was questioned by several scholars, led by Julius Held. Many, including Dr. Josua Bruyn of the Foundation Rembrandt
Research Project, now attribute the painting to one of Rembrandt's closest and most talented pupils, Willem Drost.
As of 2003, the investigation is still in progress.
Today, a Rembrandt painting can sell for more than US$28
000 000.
See also
External links
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